WHOSE STREETS
ABOUT
An account of the Ferguson uprising as told by the people who lived it. The filmmakers look at how the killing of 18-year-old Michael Brown inspired a community to fight back and sparked a global movement.
Sabaah uses visual media to bring a hopeful yet unflinching perspective to the urgent questions of our time. Born in Los Angeles, raised on Maui and educated in New York City, Sabaah has thrived in vastly different environments. She attended Columbia University as a premedical student and graduated with a degree in biology. Outside-the-box thinking and passion for social good then drew her to the non-profit and grassroots sectors where she honed strategic planning and community organizing skills before becoming a filmmaker. A writer/director whose centers love and compassion in pushing for radical change, Sabaah Folayan made her directorial debut at the 2017 Sundance Film Festival with the feature length documentary Whose Streets?. Nominated for Peabody, Gotham and Critic’s Choice awards, the film chronicles the experiences of activists living in Ferguson, Missouri when Michael Brown Jr. was killed. Whose Streets? was distributed theatrically by Magnolia Pictures, and broadcast on POV
Damon Davis (b. 1985) is a post-disciplinary artist based in St. Louis, Missouri. In a practice that is part therapy, part social commentary, his work spans across a spectrum of creative mediums to tell stories exploring how identity is informed by power and mythology. He is well known for his solo exhibition, "Darker Gods in The Garden of The Low Hanging Heavens", which premiered in St. Louis in 2018 and went on to show at Art Basel Miami later that year. The exhibit explored the surrealist manifestations of Black culture by constructing new mythologies in response to tropes of Blackness. Davis is a Firelight Media Fellow, Sundance Lab Fellow, TED Fellow, and Kennedy Center Citizen Artist Fellow. He is the founder and creative director of the music label and artist collective FarFetched and his work is featured in the permanent collection at the Smithsonian’s National Museum of African American History and Culture.
CREDITS
Damon Davis
Damon Davis
Jennifer MacArthur
Flannery Miller
Chris Renteria
Lucas Alvarado-Farrar (Creative)
Patricia E. Gillespie (Line)
Jonathan T. Hall (Associate)
Mridu Chandra (Archival)
Levan Amiranashvili
Tonio Ramsay (Assistant Editors); Arielle Amsalem
Blair McClendon (Consulting Editors)