Points North
North Star Fellowship2020-06-26T09:53:04-04:00


September 14 – October 12, 2020

The North Star Fellowship supports five filmmakers from diverse backgrounds telling underrepresented stories. In this intimate, focused environment, early-career filmmakers have time to reflect on their artistic process, grow their voices, and build a community of support that will sustain their creative work.

The fellows are joined by a curated group of mentors: accomplished documentary filmmakers, artists, programmers, producers, funders and other special guests who join the fellows in a series of seminars, workshops, informal discussions, and screenings. Each session is designed to create a safe space for artists to articulate their creative vision and reflect critically on both their own practice and power dynamics in the documentary field.

At the end of the fellowship, filmmakers collectively explore the Camden International Film Festival program, attending screenings, conference sessions, networking events, and one-on-one meetings with funders and other industry representatives.

In light of the current health crisis, the 2020 North Star Fellowship will be conducted remotely, with sessions 2-3 times/week over a three week period. Each North Star Fellow will receive a $1000 honorarium. 

The submission deadline for the North Star Fellowship has been extended to July 15th. Participants will be announced in August.

The North Star Fellowship includes the following support:

  • $1000 honorarium
  • 1 Virtual All Access pass to the Camden International Film Festival and Points North Forum
  • Scheduled meetings with funders and industry representatives during CIFF

DEADLINE: July 15 @ 11:59pm

There is no submission fee.


The North Star Fellowship application follows the guidelines established by the IDA’s Documentary Core Application Project.

In partnership with

In partnership with

The North Star fellowship deep cleaned my soul and clarified my vision as a filmmaker. Artists of color deserve spaces like North Star where we can support each other through difficult conversations around survival, representation, and healing. It’s also a week full of laughter and adventure!

Kristy Choi, 2019 North Star Fellow

My life after the North Star Fellowship has actually changed. Like actually. Through the organizers, through the mentors, and through my peers something really shifted for me, being encouraged and challenged in the way I was for those seven days in Maine. I feel like I have a jumping off point—a community that I’m rooted in that I can always come back to.

2018 North Star Fellow

The North Star Residency was one of the most life-enriching and career-affirming experiences I have had since embarking on the path of the filmmaker. I plan to continue seeking out the people and places that support what I do. After spending a week in Camden, I can assure anyone that these people and places exist.

2018 North Star Fellow

This was my first time at CIFF and was floored by how valuable this festival is for documentary filmmakers. The curation was stylistically diverse, and rigorous, the intimate size had it possible to make substantive connections, the town quaint, fog majestic, parties a blast, staff warm, logistics smooth…..really I could go on & on!

Miasarah Lai, 2017 North Star Fellow

2019 North Star Fellows

Courtney Symone Staton

Courtney Symone Staton, from Greenville, NC, is an activist who uses poetry, film and photography to celebrate the everyday heroism found in protest and black identity. A graduating senior at UNC-Chapel Hill’, she serves as lead producer and impact producer of “Silence Sam,” a participatory documentary on the systemic silencing of student activism by university administrators during UNC-Chapel Hill’s most recent student-led movement to remove Confederate monument “Silent sam” from campus. A 2018 NeXt Doc Fellow, she hopes to use her art to drive viewers past the point of empathy to the point of action.

Kristy Choi

Kristy is a Korean-American filmmaker and writer interested in themes of power and belonging as they connect to land use, migration, and the imagination of boundaries. The framework of environmental justice has profoundly shaped her politics and continues to shape the way she sees the world as a documentarian.

Her work has aired on PBS NewsHour and has been published in Teen Vogue, Washington City Paper, DeSmogBlog and more. She is a Southern Exposure fellow and is currently directing a short documentary film on the North Birmingham communities in Alabama. She is also producing a documentary film with support from Glassbreaker Films on punk feminist legend Mimi Thi Nguyen.

She holds a Bachelor of Arts from Brown University and completed a multimedia DAAD Post-Graduate Fellowship at Humboldt University in Berlin, Germany. She is a proud member of Brown Girls Doc Mafia and the Asian American Documentary Network.

Maya Cueva

Maya Cueva is an award-winning director and producer for documentary films and radio. Her work has been featured on NPR’s All Things Considered, Latino USA, The Atlantic, National Geographic, Cosmopolitan, The Huffington Post, and NBC Nightly News. Maya’s documentary work has screened internationally and across the U.S., including SXSW, Palm Springs International ShortFest, Full Frame Documentary Festival, and the Ringerike International Youth Film Festival in Norway. Her short documentary, The Provider, was also awarded an Emmy at the College Television Awards in 2015. She is a 2019 Sundance Ignite Fellow part of the Sundance Film Institute and a Valentine and Clark Emerging Artist Fellow at the Jacob Burns Film Center.

Quyên Nguyen-Le

Quyên Nguyen-Le (they/them) is a queer and gender nonconforming Vietnamese-American filmmaker, whose narrative and documentary films have been shown in various film festivals, universities, art galleries, community spaces internationally. In the past, Quyên was a recipient of the Emma L. Bowen Foundation’s Fellowship at Focus Features/NBCUniversal (2011-2013), Visual Communications’ Armed with a Camera fellowship (2016) and a finalist for the Barbara Hammer Experimental Filmmaking Grant (2017). Recently, Quyên participated in the National Minority Consortia’s documentary program with the Center for Asian American Media and Vision Maker Media. Their forthcoming documentary was a recipient of CAAM’s inaugural Documentaries for Social Change award. Quyên holds B.A. in Comparative Literature and Philosophy, Politics & Law from the University of Southern California.

Sonali Udaybabu

Sonali Udaybabu is a filmmaker who works in the documentary and experimental modes. In her work, she is interested in the politics and dialectics of identity: gender, nationality, community, and in the human pursuit of freedom, agency and assigning meaning to lived experience. In the past, Sonali has worked as a cinematographer, assistant editor and assistant director on documentary and short narrative films. She has been involved with media activist and queer feminist organizations since her teen years; experiences and values gathered from this time inform her work. Her research interests include dialectics + film form, critical theory, postcolonial studies, globalization, gender theory, feminist studies, documentary film, ethnographic film, and visual anthropology. She is from India and lives in Philadelphia as an MFA student in Film and Media Arts.

2019 North Star Mentors

Iyabo Boyd (North Star Consultant & Lead Mentor)

Producer, writer/director, founder of the Brown Girls Doc Mafia
Iyabo Boyd is a screenwriter, director, and producer working in fiction and documentary film. She participated in Sundance Film Institute’s 2018 Screenwriting Intensive and Sundance Film Festival’s 2019 Talent Forum with her feature script Kayla and Eddie en Français, about an estranged black father and daughter reconnecting in Paris. Her 2014 short Forever Ally, about a gay black man writing letters to his recently deceased cat played the Seattle, Atlanta, and Boston LGBT Film Festivals. Iyabo’s latest short Me Time is a feminist comedy about masturbation, and is slated to play festivals in April 2019. As a producer, Iyabo was a Sundance Creative Producers Fellow and an Impact Partners Creative Producers Fellow in 2016 for the feature documentary For Ahkeem about a teenage black girl coming of age in St. Louis just after Ferguson, which premiered at the Berlin International and Tribeca Film Festivals. Iyabo is also the founder of Brown Girls Doc Mafia, a collective for women filmmakers of color working in documentary, which has 2,500 members globally.

Ja’Tovia Gary

Director, The Giverny Document (Single Channel)

Ja’Tovia M. Gary (b. Dallas, TX. 1984) is an artist and filmmaker currently living and working in Brooklyn, New York. Gary’s work seeks to liberate the distorted histories through which Black life is often viewed while fleshing out a nuanced and multivalent Black interiority. Through documentary film and experimental video art, Gary charts the ways structures of power shape our perceptions around representation, race, gender, sexuality, and violence. The artist earned her MFA in Social Documentary Filmmaking from the School of Visual Arts in New York City. In 2017 Gary was named one of Filmmaker Magazine’s 25 New Faces of Independent Filmmaking. Her award-winning films, An Ecstatic Experience and Giverny I (Négresse Impériale) have screened at festivals, cinemas, and institutions worldwide including Edinburgh International Film Festival, The Whitney Museum, Anthology Film Archives, Atlanta Film Festival, the Schomburg Center, MoMa PS1, MoCA Los Angeles, Harvard Film Archives, New Orleans Film Festival, Ann Arbor Film Festival and elsewhere. She has received generous support from Sundance Documentary fund, the Jerome Foundation, Doc Society, among others. In 2016 Gary participated in the Terra Foundation Summer Residency program in Giverny, France. She was a 2018-2019 Radcliffe Fellow at Harvard University. Gary is a 2019 Creative Capital Awardee and a Field of Vision Fellow.

Tracy Rector

Indigenous Media Activist & Managing Director, Nia Tero Foundation

Tracy Rector comes to Nia Tero with a passion for amplifying and empowering Indigenous voices. She brings two decades of experience as a community organizer, educator, filmmaker, film programmer, and arts curator, all infused with her deep roots in plant medicine. For the last 17 years she has directed and produced over 400 films including shorts, features, music videos, and virtual reality projects. Her work has been featured on Independent Lens, ImagineNative, National Geographic, and the Smithsonian’s Museum of the American Indian, as well as at international film festivals including Cannes and Toronto. Tracy is in her second term as a Seattle Arts Commissioner, sits on the board of the Mize Foundation, and is the co-founder of Longhouse Media.

Sabaah Folayan

Director, Whose Streets?

A radical truth teller who still believes that love and compassion can save humanity, Sabaah Folayan made her directorial debut at the 2017 Sundance Film Festival with the feature length documentary Whose Streets?. Nominated for Peabody , Gotham and Critic’s Choice awards, the film chronicles the experiences of activists living in Ferguson, Missouri when Michael Brown Jr. was killed. Whose Streets? was distributed theatrically by Magnolia Pictures, and supported by the Sundance Documentary Film Program, Tribeca Film Institute, the Ford Foundation, the John D. and Catherine T. MacArthur Foundation among many others.

Sabaah uses written and visual media to bring a hopeful yet unflinching perspective to the urgent questions of our time. Born in Los Angeles, raised on Maui and educated in New York City, the challenge of thriving in vastly different environments has made Sabaah an expert at resilience. She attended Columbia University as a premedical student and graduated with a degree in biology. Outside-the-box thinking and passion for social good then drew her to the non-profit and grassroots sectors where she honed strategic planning and community organizing skills before becoming a filmmaker. Having gone from homelessness to global recognition, Sabaah’s outlook on social change is heartfelt, experience based, and fearlessly inclusive.

Mary Lampson

Editor (Harlan County, USA, Trouble the Water, Queen of Versailles…)

Mary Lampson is an award-winning independent documentary filmmaker and editor. Lampson co-edited the Academy Award–winning documentary classic Harlan County, USA. She has worked with documentary legends like Barbara Kopple, Emile de Antonio, Ricky Leacock, and D.A. Pennebakbr. She also produced and directed Until She Talks, a 40-minute dramatic film that aired on the PBS series American Playhouse, and 25 short live-action films for Sesame Street.

Recent projects include: Trouble the Water (Tia Lessin and Carl Deal), Kimjonglilia (NC Heikin), Queen of Versailles (Lauren Greenfield), This Changes Everything (Avi Lewis and Naomi Klein), The Islands and the Whales (Mike Day), The Bad Kids (Keith Fulton and Lou Pepe), Eating Animals (Christopher Quinn) and Generational Wealth (Lauren Greenfield.) She has been both a fellow and advisor at the Sundance Institute’s Documentary Editing and Story Lab and is a member of the Academy of Motion Picture Arts and Sciences.

Elise McCave

Director of Narrative Film, Kickstarter

Based in New York since 2015 and currently Director of Narrative Film at Kickstarter. Kickstarter is the world’s largest funding platform for creative projects. A home for film, music, art, theater, games, comics, design, photography, and more. Prior to this, 8 years working with documentary filmmakers at Doc Society (formerly BRITDOC), a nonprofit Foundation based in London and New York that develops, implements and evaluates innovative models for informing and engaging communities through documentary film.

2018 North Star Recipients

Daniel Chein

Daniel Chein is an independent filmmaker whose work explores transculturalism and expressions of identity in the performative. His short film “Basha Man,” examining the impact of tourism on a mountain village in southwest China, premiered at CAAMFest2017 and won the AT&T Student Film Award. His feature documentary in development, “Sonsplitter,” profiles a German Turk dancer for the internationally renowned Tanztheater Wuppertal Pina Bausch, tracing his identity and intergenerational trauma through the lens of performance. Daniel holds a BA in Anthropology and received his MFA in Cinema from San Francisco State University. He is a member of the Asian American Documentary Network (A-Doc) and a board member of the Global Lives Project. Daniel is a 2018 BAVC National Mediamaker Fellow and recipient of the Princess Grace Award in Film.

Shelby Coley

Shelby Zoe Coley is a Black queer filmmaker based in New York City working across nonfiction and documentary forms. Shelby uses rhythm portraiture and the spoken word to explore intersections between queerness race and creative practices––from documenting renowned lesbian performance troupe Split Britches to detailing the origin story of #MeToo Founder Tarana Burke. Her work has been featured in publications such as Afropunk, Slay TV, and Curve Magazine. Shelby’s short film “Manley Stanley Takes New York” about a British drag king won the Audience Choice Award for Best Women’s Short at Philadelphia Qflix and was nominated for the 2017 Iris Prize. Most recently her documentary film on London-based podcasting trio Sistren “Talk the Ting” premiered at Toronto’s Inside Out LGBTQ Film Festival in May 2018. Shelby is a 2017-2018 recipient of the Puffin Foundation Grant for Video/Film.

Vicky Du

Vicky Du is a Taiwanese-American filmmaker based in New York. Her short film GAYSIANS (2016) screened at 30+ film festivals including Outfest, Hong Kong Lesbian & Gay Film Festival, and Asian American International Film Festival. The film was distributed by Frameline, had a public TV broadcast on KQED, and was distributed to 1000+ middle and high school LGBTQ student groups. Vicky has directed and edited films for Art21, TEDx, The New York Times, The New Yorker, The North Face and more. She is a worker-owner of Meerkat Media, a film production cooperative, and a member of Brooklyn Filmmakers Collective. Vicky is currently in production on her first feature documentary on Chinese diaspora and intergenerational trauma.

Milton Guillén

Milton Guillén is a Nicaraguan independent filmmaker who dwells in the borders between fiction and documentaries. His main interests gravitate around the cinematic intersections of ethnographic research and sensorial experiences. Milton has worked as a director in several projects worldwide, earning him awards for his short films and interactive pieces. Most notably is The Maribor Uprisings, co-directed with Maple Razsa, a live interactive film that has toured in multiple festivals around the world and has allowed him to continue to create original fiction and commercial work for several clients. At the moment Milton is working on a global project, an observational auteur-ish anthology of displaced activists/refugees that focuses on both the physical and mental health threats they face in their newly found spaces. Currently he’s based in Chicago doing a Documentary MFA at Northwestern.

Brittany Shyne

Brittany Shyne is a writer, director and producer. As a native of Dayton, Ohio she is influenced by artists such as Gordon Parks, Graciela Iturbide, and Mariana Yampolsky. Shyne received a M.F.A. in Documentary Media from Northwestern University and a B.F.A. in Motion Pictures from Wright State University. Her directorial work includes “Painted Lady” which screened at BlueStocking Film Series, Starz Denver Film Festival, St. Louis International Georgia Frontiere Film Festival, BlackStar Film Festival, Atlanta Film Festival, Pan African Film Festival, Citizen Jane Independent Women Film Festival. “Painted Lady” won awards for best short film, best director and tied for best actor at the Women’s Independent Film Festival. Her aspiration is to create works that combine elements of verité photography with ethnographic cinema. Her works analyze race, gender and culture seeking to examine the complexity of the human experience.



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