The Viewing Booth
ABOUT
THE VIEWING BOOTH explores a space ostensibly off-limits to cinema – the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity – all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.
Ra’anan Alexandrowicz is known for THE VIEWING BOOTH (2019) and THE LAW IN THESE PARTS (2011), his work in both the fiction and nonfiction realm has challenged political and formal conventions and was showcased at venues such as Sundance, Berlin, Cannes, and TIFF. Alexandrowicz’s films have been screened and broadcasted worldwide, and received prestigious awards, among them a Grand Jury Award at Sundance and a Peabody award. Alexandrowicz has consulted on the editing of several award-winning documentaries. His current scholarly work is focused on the relationship between the nonfiction image and its audience in the current media environment.
CREDITS
Liran Atzmor
Neta Dvorkis