BLOWW

ABOUT

The film follows the year-long journey of the Boston League of Wicked Wrestlers, a sports entertainment wrestling league created by and for people of marginalized gender and sexual identities. Inside the ring, wrestlers clash and perform bold, consensual athletic feats. Outside the ring, they lead multifaceted lives as artists, parents, athletes, and activists—all while facing the challenges of sustaining a grassroots wrestling league.

The film’s structure is inspired by the classic wrestling match framework, where faces (heroes) take on heels (villains). In the case of the film, the heel is the collection of external challenges that BLOWW faces, like injuries, financial struggles in a gentrifying city, and overall rising political attacks on queer and trans lives in the country. The face is the BLOWW community itself, which comes together to reclaim bodily autonomy, defend queer art, and form a one-of-a-kind, hilarious, empowering collective.

The film’s narrative weaves between the league’s collective odyssey, preparing for three sold-out shows ripe with both pageantry and political commentary, and the individual arcs of select wrestlers outside it. These individual scenes explore how queer wrestling intersects with drag, parenthood, indie pro wrestling, and day jobs, creating a collective portrait of working-class artistry amidst dark and difficult times. Despite occasional injuries, the healing power of this subversive community keeps wrestlers and fans coming back for more.

Country USA
Language English

Emily Yue is a filmmaker and film editor from New England. Emily is currently a Sundance Institute Asian American Foundation Fellow and a Karen Schmeer Film Editing Fellow, and was recently a Sundance Contributing Editor Fellow. Emily's work is rooted in centering marginalized voices with an intersectional lens. Emily has directed and co-directed several short films, including "Good Harvest" (2020), "A Film About Film in Ten Parts" (2020), and "BLOWW" (2019). As an editor, Emily works across documentary and fiction and is a member of the Asian American Documentary Network, Alliance of Documentary Editors, Brown Girls Doc Mafia, and Motion Picture Editors Guild. Some of Emily's recent post-production credits include "Spermworld" (2024), "How to Blow Up a Pipeline" (2022), and "The Rescue" (2021).

CREDITS

Director
Emily Yue
Producer
Emily Yue

Suggest page updates.

Go to Top