Diane Weyermann Fellowship at Points North

Supporting filmmaking teams to develop significant works of art that highlight stories of moral and ethical urgency from around the world.

OVERVIEW

Through her leadership roles at the Soros Foundation, Sundance Institute, and Participant, Diane Weyermann made immeasurable contributions to global expansion and artistic flourishing of independent documentary filmmaking. In honor of her generosity and her commitment to supporting bold, visionary artists, the Diane Weyermann Fellowship champions filmmaking teams producing bold, cinematic feature-length documentaries that take artistic risks in highlighting stories of moral and ethical urgency. 

The 18-month program includes $100,000 in unrestricted grants for each project, tailored mentorship from veteran filmmakers and industry leaders, two creative retreats at CIFF, and ongoing professional development—all designed to support the completion of Fellows’ films and the advancement of their careers as artists.

Through her leadership roles at the Soros Foundation, Sundance Institute, and Participant, Diane Weyermann made immeasurable contributions to global expansion and artistic flourishing of independent documentary filmmaking. In honor of her generosity and her commitment to supporting bold, visionary artists, the Diane Weyermann Fellowship champions filmmaking teams producing cinematic feature documentaries that take artistic risks in highlighting stories of moral and ethical urgency. The 18-month program includes $100,000 in unrestricted grants for each project, tailored mentorship from veteran filmmakers and industry leaders, two creative retreats at CIFF, and ongoing professional development—all designed to support the completion of Fellows’ films and the advancement of their careers as artists.We’re excited to welcome this cohort back to Camden as they approach the end of their fellowship.

The program was established in partnership with the Skoll Foundation and Participant, and contributions to support the Diane Weyermann Memorial Fund to honor her legacy can be made by clicking here.

Camden 2024 Mentors:

Andrea Meditch – Creative Producer 

Andrea Chignoli – Editor

Mary Lampson – Editor 

Petra Costa –Filmmaker

Johan Grimonprez- Filmmaker

Jeanie Finlay- Filmmaker

Previous Mentors:
Sara Archambault
Maya Daisy-Hawke
Tabitha Jackson
Kirsten Johnson
Serge Lalou
Jasmin Lopez
Bob Moore
Bianca Oana
Jean Tsien

The Diane Weyermann Fellowship at Points North champions filmmaking teams producing cinematic feature documentaries that take artistic risks in highlighting stories of moral and ethical urgency. Mirroring Diane’s generosity and commitment to bold, visionary storytelling, this program aims to empower a new generation of creative documentary directors and producers, building a robust community of support that will help them create significant works of art that connect with audiences across the world. The Fellowship was launched at the 2022 Camden International Film Festival, with the first cohort starting at the 2023 Fest.

Up to three original, feature-length documentaries in production from global filmmaking teams will be selected to participate in each edition of the 18-month Fellowship. Resources provided to Fellows include $100,000 in unrestricted, non-recoupable grants, mentorship from veteran filmmakers and industry leaders, festival retreat, and ongoing professional development – all designed to support the completion of their films and the advancement of sustainable careers as artists.

The program was established in partnership with the Skoll Foundation and Participant, and contributions to support the Diane Weyermann Memorial Fund to honor her legacy can be made by clicking here.

SUBMISSIONS

Overview

Mirroring Diane’s generosity and commitment to bold, visionary storytelling, the Diane Weyermann Fellowship program aims to empower advanced-career creative documentary directors and producers, building a robust community of support that will help them create significant works of art that connect with audiences across the world.

Up to three original, feature-length documentaries in mid to late production from global filmmaking teams will be selected to participate in a 18 month collaborative Fellowship program. 

Over the course of 18 months, Diane Weyermann Fellows receive:

  • $100,000 in total grant support ($50,000/ year) to support both director/producer salaries and/or production costs and/or post-production costs
  • Two creative retreats in Maine coinciding with the 2025 and 2026 Camden International Film Festivals, including work-in progress feedback screenings, mentor-led workshops and industry networking opportunities.
  • Ongoing mentorship designed to support the filmmaking teams in the advancement of the project, as well as the individual professional and personal. growth of each fellow, through monthly cohort calls, peer support, connection with industry leaders, and reviewing proposals and budgets, providing notes on work samples and rough cuts as needed throughout the duration of the program.

Eligibility

  • Content: Cinematic, feature-length documentaries (70 minutes or longer) highlighting stories of moral and ethical urgency that will resonate with international audiences.
  • Project Stage: We’re looking for films between in mid-to-late production stages with at least 10 minutes of edited material at the time of application and access secured with key participants, including signed releases. 
    • Applicants must hold at least 50% of the project’s copyright. 
    • Projects on track to be completed and released via festivals and/or theatrical distribution in late 2026 or in 2027 will be prioritized. Due to the duration of the fellowship, projects scheduled to be completed between the end of 2025 and beginning of 2026 will not be eligible.
  • Budget: Projects with budgets of less than $1.5 million and at least 10% of budget raised from other sources will be prioritized.
    • As a note, for the disbursement of the grant money, film teams must be working with a Fiscal Sponsor or other formal financial entity. Fiscal sponsorship is not required at the time of application, but will just need to be secured by the time selected projects receive their funding. 
  • Team: Projects must have both a director and producer attached, with both having at least one feature-length film completed and distributed, and signed MOUs or contracts in place for the current project in the application. 
    • We strongly encourage applications from filmmakers that have been historically marginalized in the film industry by virtue of their race, gender identity, sexual orientation, religion, ability, age, class or citizenship status, as well as filmmakers from countries and regions within the Global South.

ELIGIBILITY

Content: Cinematic, feature-length documentaries (60 minutes or longer) highlighting stories of moral and ethical urgency that will resonate with international audiences.

Project Stage: We’re looking for films between development and early- to mid-production stages with at least 10 minutes of edited material and access secured with key participants, including signed releases. Applicants must hold at least 50% of the project’s copyright. Projects on track to be completed and released via festivals and/or theatrical distribution in 2025 or 2026 will be prioritized.

Budget: Projects with budgets of less than $1.5 million and at least 10% of budget raised from other sources will be prioritized.

Team: Projects must have both a director and producer attached, with either having at least one feature-length film completed and distributed, and signed MOUs or contracts in place. We strongly encourage applications from filmmakers in the Global South and filmmakers in developed nations from backgrounds that have been historically marginalized in the film industry by virtue of their race, gender identity, sexual orientation, religion, ability, class or citizenship status.

Applications will be accepted through Tuesday, January 21, 2024 at 11:59p ET.

SELECTION PROCESS

  • All applications that pass an eligibility check based on the above criteria will advance to Phase 1 of review.
  • Members of Points North’s curatorial team will select up to 25 finalists to advance to Phase 2. Finalists will be notified and asked to provide any relevant project updates.
  • In Phase 2, a Selection Committee comprised of Points North staff and 3-5 jurors will review all finalist applications and recommend a shortlist based on the following criteria:
    • Artistic Approach: Does the project have a clear creative direction or vision? Does it demonstrate a unique visual language or an innovative approach to the documentary form?
    • Topic: Are the central topics/themes/questions unique to this film, or is the approach to the topic structured in an original way? Does this film ask questions that have a particular moral and ethical urgency? Are the filmmakers approaching their protagonists/participants with nuance and authenticity?
    • Connection to Story/Community: Does the filmmaker have a strong connection or collaborative relationship with the individuals and/or communities they plan to represent on screen? Have they carefully considered their ethical responsibilities, including any potential risks to participants in the film?
    • Feasibility: Are the proposed project timeline and budget realistic? Does the filmmaking team have the experience and/or team necessary to realize the vision outlined? Are there any concerns about roadblocks this project may face in the future?
    • Project and Career Stage: Is the project at a stage where the resources, mentorship, industry connections and exposure provided during this 18-month program, from mid 2025 to end of 2026, will significantly advance its progress? Is the filmmaking team in a place where this opportunity will help them build a more sustainable career in independent documentary filmmaking?
    • Audience: Does the project have the potential to resonate with its target audience(s) and reach audiences across international borders and cultures?
  • In Phase 3, recommended applicants will be interviewed by Points North staff. Final decisions will be made by June 2025.

LIVE VIRTUAL INFO SESSION + Q&A

A live virtual information session and Q&A was held on December 13, 2022 discussing the fellowship in further detail! Tune in here to watch the recording.

Join us for a live virtual information session to hear from our team about the fellowship as well as get the opportunity to ask questions about the application and selection process. 

When: Friday, December 6, 11:30am-12:30pm ET

FELLOWSHIP EXPERIENCE

“There aren’t too many experiences you get to have in life that you might label formative, but this past 18 months has been shaping and renewing. As someone who was lucky enough to work with Diane, if only for a brief stretch, it has been an experience that truly embodies her spirit and how she thought about moving through this documentary world of ours with grace, fierceness and joy.” 

-Jeff Reichert, producer of The Production of the World

“The Diane Weyermann Fellowship was a turning point for our film and for my personal career and development. It provided a space to grow, change the perspective and think on a different scale, to liberate the creative potential of the project and refine its language. It empowered us to practice documentary filmmaking as a form of art.”

-Biljana Tutorov, director and producer of The Last Nomads

I now get visions about a new kind of cinema. A cinema not bound by some passive dream-logic. Rather a cinema that is interventionist. A cinema that wrests back the metaphors and poetry lost in quarreling with the fabulists. A cinema that is self-aware and is truthful in its construction. New cinema is on the horizon, in a lobster induced vision. 

– Amit Madheshiya, UNTITLED

ABOUT DIANE WEYERMANN

Originally from St. Louis, Diane started her career as a lawyer. Recognizing that film could provide a platform to highlight social issues and tell the stories of real people, she went on to receive her MFA at the film school at Columbia College in Chicago. Diane directed the Open Society Institute’s Arts and Culture Program under the auspices of George Soros, launching the Soros Documentary Fund, which she moved to the Sundance Institute in 2001.

There, Diane began laying the groundwork for what became the Sundance Documentary Film Program. In 2005, Diane joined Jeff Skoll’s newly founded Participant Media and headed up the socially-conscious production company’s documentary feature film and television division. During Diane’s tenure at Participant, the company produced more than 100 feature and documentary films. 

Collectively, Diane’s Participant projects have earned 10 Academy Award nominations and four wins; eight Emmy nominations and three wins; three BAFTA nominations and one win; and five Spirit Award nominations and three wins.

Originally from St. Louis, Diane started her career as a lawyer. Recognizing that film could provide a platform to highlight social issues and tell the stories of real people, she went on to receive her MFA at the film school at Columbia College in Chicago. Diane directed the Open Society Institute’s Arts and Culture Program under the auspices of George Soros, launching the Soros Documentary Fund, which she moved to the Sundance Institute in 2001.

There, Diane began laying the groundwork for what became the Sundance Documentary Film Program. In 2005, Diane joined Jeff Skoll’s newly founded Participant Media and headed up the socially-conscious production company’s documentary feature film and television division. During Diane’s tenure at Participant, the company produced more than 100 feature and documentary films. 

Collectively, Diane’s Participant projects have earned 10 Academy Award nominations and four wins; eight Emmy nominations and three wins; three BAFTA nominations and one win; and five Spirit Award nominations and three wins.

2023-2024 FELLOWS

The Last Nomads
Untitled Project
The Production of the World

ADVISORY GROUP

Ally Derks, Founder of International Documentary Film Festival Amsterdam (IDFA)

Ben Fowlie, VP, Sales & Partnerships, Original Content at Universal Pictures Content Group 

Laura Kim, Documentary Executive

Jonathan King, Chief Executive Officer, Concordia Studio

Elise Pearlstein, Executive Vice President, This Machine Filmworks

Courtney Sexton, Documentary Executive

Andrea Weyermann, Ph.D., Georgia State University