Keith Wilson is a filmmaker and artist based in San Francisco. His films have been exhibited at Sundance, the Berlinale and South by Southwest Film Festival, the U.S. National Gallery of Art, and the Museum of Modern Art in New York City. He was a 2018 BAVC National Mediamaker Fellow for his in-progress film DEEP INSIDE THE SHAMAN'S DEN about the life, work and legacy of performance artist Frank Moore. His recent short film THE TREE screened at MoMA's 2019 Doc Fortnight program, premiered at the 2017 DOC NYC Film Festival and was recently exhibited as a storefront installation at Artist Television Access in San Francisco. He is the producer, director of photographer and editor of WATER MAKES US WET, a documentary feature directed by Annie Sprinkle and Beth Stephens that premiered at documenta14 in Kassel, Germany. He was Director of Photography and Producer for INTERIOR. LEATHER BAR., which premiered at Sundance and was released theatrically by Strand Releasing. He is a member-owner New Day Films, a 40 year-old documentary distribution cooperative. Keith is a 2019 Monroe Fellow at the New Orleans Center for the Gulf South at Tulane University for a photography project on architecture, tourism and climate in the Florida panhandle. In addition to solo shows in Austin, Texas and Berkeley, California, his artist book EVERY BUILDING ON BURNET [burn-it] ROAD was exhibited at the Gagosian Gallery and the Brandhorst Museum. He is the co-creator and editor of the GAY MEN DRAW VAGINAS book project. Keith has an MFA in film production from the Radio-TV-Film Department at UT-Austin and grew up on a cul-de-sac in suburban Atlanta.